Pam Swynford De Beaufort

[Continued from here.]

Pam has no qualms about simply taking what she wants from humans. The humans who don't matter to her. Which are 99% of them. But sometimes one or two stand out, like Yvetta back home, or even Ginger to a degree. She's learned to treat Jay a little better, because he has a connection to Eric.

And Jemma, well... It just wouldn't feel right to take her blood and not give something back, even if she offered to help.

(In the old days, they could just grab someone off the street, drain them to within an inch of their life, glamour them and leave them in an anemic heap. Good times.)

So it's with this in mind that Pam opens the door to her room. She lets Jemma in first, following her inside, and then closes the door behind Eric.

Her room is as it has always been since they were last here. Same warm lighting, same huge comfortable bed.

Eric has already had a small taste of Jemma from the wrist. Pam figures he might want to go for the usual, less formal method via the throat. She's not overly concerned, no. But she will watch carefully. Eric is hungry, and just like herself, he can get carried away.

[Continued from here.]

Pam slips the key into the lock and pushes the door open, flicking a nearby light switch. Immediately the expansive room is illuminated warmly by a black chandelier in the center of the ceiling.

The decor has an old-fashioned, Victorian feel to it, but with modern sensibilities. And also lots of pink and black.

The walls are a very deep shade of pink; the thick carpet is black. Two chairs set at a round table with a black marble top have gilded arms and backs, with satiny pink cushions. Black velvet drapes are pulled closed and tight against the windows. The bed, at the far end of the room, is king-sized with an ornate padded headboard, the carvings matching the chairs. The sheets are black silk, and the pillows and duvet, of course are pink.

A black armoire stands in one corner by the bed, a matching dresser on the bed's opposite side. Both are empty, only because Pam hasn't had a chance to fill them yet.

Pam shuts the door and makes sure it locks behind Jemma.

"Go on and make yourself comfortable."