Pam Swynford De Beaufort (
lazy_but_loyal) wrote2014-10-15 10:23 am
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OOM - Pam's room
Pam would've objected to being carried.
But, ah, what the hell. She'd earned it.
And she wouldn't have been able to do anything about it anyway, because the moment Eric wrapped his arms around her, her body just gave out. It didn't want to be upright anymore. It didn't want to move on its own. It didn't want to lift a thing.
Besides, Eric is comfortable.
She didn't care where he was carrying her, just as long as it was away.
And then, even though Pam's eyes were closed and her senses were nearly shutting down from sheer exhaustion, she knew that they'd stepped into Milliways. Somewhere at the back of her foggy mind, she thought, Perfect. She'd never wanted to be here more than right now.
She smells Jemma, and she hears her voice. She would say hello, but, meh, too tired.
They arrive in her room.
But, ah, what the hell. She'd earned it.
And she wouldn't have been able to do anything about it anyway, because the moment Eric wrapped his arms around her, her body just gave out. It didn't want to be upright anymore. It didn't want to move on its own. It didn't want to lift a thing.
Besides, Eric is comfortable.
She didn't care where he was carrying her, just as long as it was away.
And then, even though Pam's eyes were closed and her senses were nearly shutting down from sheer exhaustion, she knew that they'd stepped into Milliways. Somewhere at the back of her foggy mind, she thought, Perfect. She'd never wanted to be here more than right now.
She smells Jemma, and she hears her voice. She would say hello, but, meh, too tired.
They arrive in her room.
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Then he lets his fangs drop. The click is startlingly loud.
He lifts Jemma's wrist to his mouth and bites down. Carefully. It hurts when the skin is pierced but he has done this for a very long time. He knows how to hold his fingers, how to press against the bones of the hand, how to stroke the skin, to shift the focus away from pain, toward pleasure.
And then he removes his mouth and slides one arm under Pam's shoulders, lifting her a little while moving Jemma's wrist close to her mouth. Utterly focused on Pam's wan face.
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Jemma finds herself perched on the edge of the bed, ignoring that bit of hindbrain that's just a bit alarmed about the idea of bleeding freely around two predators.
And she kind of wishes she had a stopwatch.
Oh shush, she can't be the only one to wonder about healing rates.
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She is hungry. So hungry.
That primal hunger supersedes the instinct to sleep, even the feeling of pain, as she sits upright with Eric's help. And without hesitation she presses her lips to the bleeding puncture wounds on Jemma's smooth, slender wrist, and begins to drink.
The warm blood filling her mouth as she swallows almost at once seems to revive her. She's alert enough to want to hold Jemma's arm up herself, her fingers cold and firm, as they brush against Eric's. But not much else goes through her mind except the sweet, sweet taste on her tongue, counteracting the sharp, prickling sensation of her skin slowly regenerating, which at this point hurts almost as much as the burns themselves. And the process will take a little time, given that the chains had dug into her flesh and remained there for almost two days.
Fortunately Eric can pay attention to Jemma's heartbeat so Pam doesn't have to.
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Thoughts about a study she read by Temple Grandin in relation to how Eric was the one to bite her, not Pam... really don't help. She tries to knock that off.
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Pam groans (or growls) a little, her lip curling against Jemma's wrist, as it's not a comfortable feeling, especially when it's happening on several areas of her body at once.
She doesn't slow her feeding, but she does loosen her grip a bit. She even slides one hand over, wrapping her long, cold fingers around Jemma's hand, her thumb sweeping over the backs of her knuckles.
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(Dratted inaccurate authors, should be ashamed of themselves.)
"Hey there, that's better, isn't it?" What? She's allowed to be concerned. It's what makes her human.
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Jemma will have to trust Eric to stop her.
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Of course, the first trick would be trying to figure out how it's happening, and what the factors are behind it - it can't be something that varies by blood type, or it wouldn't be so much who one trusts, it'd be who has the right antibody/antigen mix... though, now that she thinks about it, maybe she should ask Jay what type he is.
Though what if it's some other thing - lord knows they find another blood factor every time they turn around, and they don't know what half of them are for, other than to make transfusions tricky. What if they're some sort of co-evolved defense system (or attractant system) first developed in a world with vampires, and then it spread. Of course, in order to test her theory she'd have to convince both the vampires and a bunch of people to agree to it and...
Jemma blinks heavily as suddenly the edge of the bed feels about as safe as the edge of a cliff. She wonders, distractedly, when the hands around her arm stopped feeling so cold.
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At first, his only thought is concern for Pam's well being (and thus, relatedly, Jemma's).
But as Pam's skin begins to knit and her movements become more sure, he allows himself to enjoy the scene as well.
They do look very pretty together.
And all the while, he is listening to Jemma.
Just a little more, just -
"Pam."
It's said gently and with more emotion than he probably intended, now that they have company.
It still means stop though.
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"I think she's going to be alright." She assures Eric, patting his shoulder.
...
Aiming for his shoulder, anyway. Everything feels so heavy and slow.
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But Jemma just tastes so damned sweet.
And it almost seems as if Pam might be ignoring Eric, since she doesn't stop right away. It's like telling a child she can't have any more candy.
But with a soft moan that's almost a petulant whimper, she does stop. She pulls her mouth away from Jemma's wrist and licks her lips, previously pale without her usual lipstick, now stained red with blood.
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Relieved.
And then he takes Jemma's wrist, as he bites down on his own tongue (his fangs are still down) and dips his head to lick her puncture wounds clean. And closed.
She does taste sweet.
He is also putting one arm around her shoulders and as he retracts his fangs, he says, "Maybe you should lay down for a little bit, Jemma."
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"That's..." She blinks slowly, sighing and nearly losing track of her train of thought.
The correct answer is probably 'a bad idea', or 'something I'll do when I get home', but instead she nods. "That's probably a good thought."
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Was it really necessary for Eric to lick Jemma's wounds closed? No. No, it was not. And this is the look that Pam is giving him that conveys such a sentiment without her having to say anything.
She shoos Eric off the bed so that she herself can get up.
"C'mere, sugar," she murmurs at Jemma, urging her to lie down.
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"Just a moment or two, that's all..." She agrees, curling into the empty space at Pam's side like a drowsy kitten.
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What?
He was just being practical.
That's all.
He goes into the bathroom and returns with a glass of water for Jemma.
He's also wiped his face clean.
His in-control exterior is beginning to wear a little thin.
He'll have to go back. Sit in the car with the two of them, the Queen and the King.
Smile at Edginton. When all he wants to do is kill him.
"I'm sorry it took so long," he says to Pam.
Eric never apologizes.
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Pam takes the glass of water from Eric and sets it on the nightstand.
And then looks up at him at his apology, her brows knitted.
"Don't be. I'm sure you did what you had to."
She gets to her feet, taking a few steps toward him, reaching up to touch his shoulders, his face. Goddamn, how she missed that face. It was all she wanted to see these past two nights, and finally she has it back again. She chuckles softly to herself.
They're not alone. But Jemma is out of it, so she doesn't matter.
With a sigh, she runs her hands down Eric's arms to cling at his fingers.
"But you still can't wear light colors."
She arches an eyebrow at him.
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"And I fed on Sookie's cousin. She's Sophie-Ann's pet."
What a tiny world they live in.
"I did try though."
Resting his face against the top of her head. Breathing in the scent of her hair.
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It's nice feeling no more pain between them. But the worry is still there, lingering like a shadow.
Sh grows quiet.
"You don't have to go back yet."
Please don't go back yet.
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"But I have to go back to Mississippi with Edgington. Just for a couple of nights."
And he doesn't know what to do. He can't kill a 3,000 year old vampire in a fight. And he has to. He has to kill him.
And he can't tell her.
"Now the revenue from Fangtasia will end up in his accounts I doubt he'll want to keep me away for too long."
Unless the sly looks mean something.
In which case, -
No.
He will do whatever it takes to get his revenge. Now that Pam is free.
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Mostly because she's too mentally exhausted to deal with anything.
"Oh, god," she mutters, as a pang of dread strikes her. "What the fuck are we going to do about the Magister?"
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And rubs her back. Soothingly. One large hand moving slowly from the back of her skull and down to the curve of her ass.
"We'll have him mopped up and if The Authorithy shows up, we give them Edgington."
This is a lie. He wants his death for himself.
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No, she is not going to cry.
After a moment, she gently pulls back, rubbing the inner corner of her eye with a fingertip. It comes away smudged with makeup
and maybe a little bit of blood."I need to take a shower. Wash off the Magister's funk."
She glances over at Jemma.
"Keep an eye on her? And don't try anything funny."
She punctuates this with a poke to his chest.
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And then she is poking him and he says, "Like what?" All out upon innocence.
As if he has ever done anything untoward to a sleeping woman.
Well, he hasn't done it recently. Or frequently.
"You should keep wine here, you know," he says, settling down on the bed. "It often comes in very handy." He would know.
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At his suggestion, she shrugs. She sees the act of inviting someone to her room as a business transaction more than a social call and doesn't usually keep humans around longer than necessary. Nor does she give humans the impression that she's social. But she'll consider it.
"I'll stock up on a bottle or two."
And she heads for the bathroom and disappears inside, leaving the door open just a crack.
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