Pam Swynford De Beaufort (
lazy_but_loyal) wrote2014-08-11 05:26 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Entry tags:
upstairs: for jemma
[Continued from here.]
Pam slips the key into the lock and pushes the door open, flicking a nearby light switch. Immediately the expansive room is illuminated warmly by a black chandelier in the center of the ceiling.
The decor has an old-fashioned, Victorian feel to it, but with modern sensibilities. And also lots of pink and black.
The walls are a very deep shade of pink; the thick carpet is black. Two chairs set at a round table with a black marble top have gilded arms and backs, with satiny pink cushions. Black velvet drapes are pulled closed and tight against the windows. The bed, at the far end of the room, is king-sized with an ornate padded headboard, the carvings matching the chairs. The sheets are black silk, and the pillows and duvet, of course are pink.
A black armoire stands in one corner by the bed, a matching dresser on the bed's opposite side. Both are empty, only because Pam hasn't had a chance to fill them yet.
Pam shuts the door and makes sure it locks behind Jemma.
"Go on and make yourself comfortable."
Pam slips the key into the lock and pushes the door open, flicking a nearby light switch. Immediately the expansive room is illuminated warmly by a black chandelier in the center of the ceiling.
The decor has an old-fashioned, Victorian feel to it, but with modern sensibilities. And also lots of pink and black.
The walls are a very deep shade of pink; the thick carpet is black. Two chairs set at a round table with a black marble top have gilded arms and backs, with satiny pink cushions. Black velvet drapes are pulled closed and tight against the windows. The bed, at the far end of the room, is king-sized with an ornate padded headboard, the carvings matching the chairs. The sheets are black silk, and the pillows and duvet, of course are pink.
A black armoire stands in one corner by the bed, a matching dresser on the bed's opposite side. Both are empty, only because Pam hasn't had a chance to fill them yet.
Pam shuts the door and makes sure it locks behind Jemma.
"Go on and make yourself comfortable."
no subject
The babbling is back, but this one is full of 'the universe is awesome!' rather than nerves.
no subject
But she shakes her head, sweeping the pad of her thumb over the corner of Jemma's mouth.
"Not hollow. No venom. We're our own special kind of carnivore."
And she leans in to press her lips against hers. Maybe to keep her from babbling. Maybe to let her feel how dangerous it is to kiss someone with very sharp teeth.
no subject
Perhaps she has so little luck back home because no one's tried to seduce her with a stack of technical journals.
no subject
For Pam, it's an exercise in being gentle, as Eric showed her. It's simply a means to an end, not because she cares.
But Jemma is so sweet and so delicate...
Pam's cool hand slips down the side of her neck, thumb stroking her pulsepoint. She can feel the heat of her blood, hear it rushing through her arteries. And her appetite grows as a purring growl escapes her lips.
no subject
"I think I'm beginning to see why Eric complains so much about groupies." She laughs, breathlessly. Jemma tilts her head away, exposing her neck to that gentle hand, watching Pam with unquenched curiosity.
no subject
Pam chuckles, low and sensually, as she reaches up with her other hand to rake her fingers through Jemma's hair, sweeping it away from her neck. She cups the back of her head to keep it steady, her other hand still caressing the side of her throat.
It's kind of like how someone adjusts their hold on a big sandwich before they begin to eat it.
"You ain't seen the half of it, sugar."
She dips her head, scenting along the exposed curve of Jemma's throat, the gesture almost animalistic. Her upper lip curls. The cold sharpness of her fangs scrape her skin.
And she bites her.
There's really nothing gentle about inflicting a flesh wound.
Blood immediately seeps from the double punctures, and Pam closes her lips over the broken skin. She utters a deep, sighing moan as the hot, thick sweetness fills her mouth, her long eyelashes fluttering closed.
no subject
no subject
But then she strokes Jemma's cheek with her thumb, slowly sweeping back and forth, in sync with the strokes of her tongue and the rhythmic pull of her mouth.
Her blood is so, so sweet. There's a certain pureness to it that Pam hasn't tasted in a long time. It takes every ounce of restraint to keep from sucking at the wound too hard. She growls a little, kittenish for a century-old vampire, but deep enough to be a bit disconcerting to a human.
A warm trickle of blood escapes the corner of her mouth and travels down along Jemma's collarbone.
no subject
Idly she tries to reason out the rate of blood loss, but the numbers float away and she gives it up as a bad job. Then she tries to figure out what sort of morphology changes would need to happen to create such a low pitch from human-sized vocal chords, and that distracts her for longer.
Long enough that she's stopped leaning against that soothing hand for comfort, and is leaning against it because she's getting dizzy, a feeling like spending too long on a carnival ride.
no subject
Fortunately, Pam, despite her general attitude, can follow the rules, and plus she wouldn't want to deliberately do any lasting damage to Jemma. And also, there's Eric. He'd be disappointed if anything bad happened.
At some point, Pam can hear Jemma's heartbeat start to slow. Her pulse drags underneath her palm pressed to her neck. Her body begins to slump against hers.
It's enough.
She lifts her mouth from Jemma's neck, lips and teeth stained dark red with blood, before gently easing her down onto the mattress.
no subject
Actually, a lot is ignorable at the moment. Including the way Pam's lipstick has gotten darker (except it hasn't, except that isn't makeup, except she can't seem to work up a decent sense of worry about it). The world is more like molasses, the same slow slide of dark blood oozing from her wounds.
Maybe she'll worry about it later.
"Alright?"
no subject
"I'm fine. How're you?"
She looks like she'll be out of it for a little while.
The wounds on the side of her throat are still oozing. And really, she has such a lovely throat, so it just won't do for her to bear any scars. So Pam pricks the pad of her own thumb on a fang, and very delicately and sparingly, rubs her blood into the open wounds. Jemma might feel a tingling or numbing sensation as the bleeding stops and the holes close up.
no subject
"Stage... one, maybe almost stage two hypovolemia? Not enough to do anything drastic about." Jemma self-diagnoses, peering at the state of her nail beds.
no subject
"Such a scientist."
And she retracts her fangs, the sharp click seemingly very loud in the quiet stillness of the room.
"Relax, sugar. I'm just going to freshen up and get you a glass of water."
Before moving off, she wipes off a streak of blood on Jemma's breast with her finger and licks it.
"You are so sweet."
And with that, she strides away and into the bathroom.
no subject
...
It's going to be so terribly hard to not giggle the next time someone says that.
...
Meh, giggle at them anyway, they deserve it. Sweet.
Her thoughts then meander off to a new topic - whatever is a vampire doing with a bathroom in her apartment? Whatever she wants with it, Jemma supposes, but it seems a tad odd. Maybe vampires like showers? She can't imagine why, unless they're not as impervious to hot or cold as some mythology states (boo mythology, yay science) ... This of course leads to the drowsy contemplation of how many biological processes actually change or shut down with vampirism, and lord wouldn't that be embarrassing, being on the rag as a vampire? It'd be like shoving fresh popcorn down one's trousers and marching into a lab full of researchers who haven't eaten in the last twelve or more hours.
Aaaand that'd be what Jemma is snickering about when Pam comes back, yes.
no subject
It's a spacious one, with the same pink and black color scheme and turn-of-the-century touches, like the lights with gaslamp fixtures and the clawfoot bathtub. The most modern thing in it is the shower stall, which is exactly like Eric's. Because it is an awesome shower.
There's even a toilet...for human guests, of course.
Pam washes the blood from her lips at the sink and takes her time reapplying her lipstick and fixing her hair in the mirror (the stories are wrong -- how do you think vampires make themselves so gorgeous if they can't see their reflection?). Then, filling a glass (again, for human guests) with cold water, she emerges from the bathroom, to find Jemma giggling like a drunk.
"Apparently something funny happened and I missed it."
no subject
"Not terribly, the universe is just more funny when you're too tired to take it seriously." At least she's not actually drunk - she's much less likely to tell bad jokes (badly) in an attempt to spread the hilarity.
She does try to push herself up onto her elbows, but dizziness and fatigue (and that utterly dangerous mattress) conspire to flatten her again.
"Oof. Graceful."
no subject
She sets the glass of water on the nightstand and props the down-filled pillows up against the headboard. Then, holding Jemma under her armpits, she moves her into more of a lounging position against the pillows. Thing is, when she does move her, it's as if Jemma weighs only as much as one of those pillows.
Putting a hand on a hip, Pam offers the water to her.
"If you feel too tired, I can give you a little of my blood to perk you right up. Might make the universe seem downright hilarious in the process, too."
Eric said it would be okay in Milliways to let humans drink vampire blood. It can still heal but its hallucinogenic effects are harmless here, and no bond is created. Still, Pam's always been extremely stingy with it, and cautious, and for good reason. One doesn't just go handing out your blood to anybody.
no subject
(There's a list, don't even pretend to be surprised there's a list, and it's an ever-growing list)
First, she's ridiculously curious about why anyone's blood, never mind a vampire's, would act as a stimulant in low doses. If she didn't think that it'd be a move akin to suicide, she'd try to see if she could find out why.
Second, she'd love to know more about vampire strength potential... but somehow she thinks there's no way either of them would kindly go near a stress plate.
Alas.
She takes the offered glass with both hands to keep it from wobbling.
"No, but thank you, that's very kind." Jemma replies politely, "I should be fine with some rest."
no subject
"Suit yourself," she says, and she sits on the edge of the bed, smoothing out her skirt over her crossed legs and tossing her hair over her shoulder. Pam looks just as perfect as when Jemma first raised an eyebrow at her.
"So. What did you think?"
no subject
Surely at least one scientist must have become a vampire, somewhere along the way. Why oh why aren't there any skull radiographs? It's tragic.
no subject
Usually Pam wouldn't have to suggest it. A fangbanger expects it. Jemma is no fangbanger by a long shot, and Pam likes that.
no subject
"Yeah?" Evidently no one's told this particular vampire that gorgeous women like her don't tend to go for the lab geeks, and Jemma is not going to enlighten her. At all. "I'd like that."
no subject
So she's open to it. Good.
Because Pam doesn't care about what she is. She only cares about how she tastes.
"I'll show you what those groupies are really after when I reach third."
She brushes her fingertips over Jemma's knee, lightly sweeping down her shin.
no subject
...
Well. This is what experimental trials were designed for.
Sort of.
Shut up.
"As long as I don't have to fill the type - I'm rather horrendous at teen love poetry and I don't believe I've ever been a groupie."
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)